Were this
piece to make it into print, it would surely provoke a response dripping in
contempt from all those professional Gedgeophiles who have dedicated the thick
end of 30 years following The Wedding Present. There is no other way of putting
this; since TWP started gigging in 1986, I have seen them live on 13 separate
occasions (with at least 2 and possibly 3 concerts to attend in 2016), though I
have, to my great and eternal shame, also failed to see them on another 13 potential
instances (including 3 visits by Cinerama), 11 of them in my home city of
Newcastle and 2 others in neighbouring Sunderland. In my defence, there are some reasonable
excuses and unfortunate circumstances among those missed opportunities, though
I’m sure David, as a Maths graduate, would say that numbers don’t lie.
In 1986, I
graduated from Ulster University with a 2:1 in English Literature and zero
prospects of paid employment. Returning to Newcastle to sign on, money was
tight and boredom a terrible factor. Luckily, I was able to sponge off my
parents after I applied for and obtained a place on a postgraduate teaching
course at Leeds University for the next year. They saw my potential (cough!).
Meanwhile, I claimed the dole, drank in ropey student pubs, watched ropey
Newcastle United performances and went to gigs and bought records by loud
American guitar bands like Sonic Youth, Swans, Dinosaur Jr, Husker Du, Butthole
Surfers and Big Black, all the time viewing the C86 scene with contempt. The first 2 Wedding Present visits to
Newcastle, on 10th November 1986 and 21st February 1987
didn’t even cross my radar.
Moving to
Leeds in the autumn of 1987, to Headingley of course, I realised just how
massively important local bands were to the whole area, which is why I was such
a huge fan of Age of Chance and barely noticed the release of George Best though I seem to recall a
stunning version of Nobody’s Twisting
Your Arm closing an edition of Calendar;
am I making that up? It still didn’t stir me into seeing the band when back
home on 16th February 1988, during February half term, again at
Newcastle Riverside. Back in Newcastle to start work as a teacher from autumn
88 onwards, one of my new colleagues revealed he’d studied Maths at Leeds
University between 1978 and 1981; he didn’t know David and he’d never even
heard of The Wedding Present. Perhaps his influence dissuaded me from attending
their third Riverside performance on 17th April 1989.
I tell you a
couple of bands I really used to love back then; The Fall and That Petrol
Emotion. The former you’ll know about, while the latter included two pals from
university and the O’Neill brothers, of ex-Undertones fame. In August 1989, John Peel was about to turn
50 and his birthday party at Ladbroke Grove Subterrania would feature a
reformed Undertones headlining and The Fall as support. Somehow I called in a
few favours and got my hands on a ticket. Sadly, the O’Neill brothers lost
their father the week before and The Undertones didn’t play, with The House of
Love stepping in as openers and The Fall shunted to headliners. I remember them
as dreary and posh, while The Fall made absolutely no concession to the
occasion by being as thrillingly contemptuous as ever. However, it was the band
in the middle of the bill that utterly blew me away; playing a set that was
mainly derived from the unreleased Bizarro,
I discovered The Wedding Present with fresh ears that night. The songs were
longer, the sound more ferocious, innovative and uncompromising. I have
subsequently grown to love both original and revisited versions of the band’s
early back catalogue, but I maintain they only became the band I adore when
they signed to a major label.
Despite this
new found affection for The Wedding Present, I didn’t make it to Newcastle
Mayfair on 12th November 1989 and I’ve no idea why. Exactly a year
later, Sunderland Poly played host to them, but I opted to stay close to home;
Newcastle Uni was the venue and Teenage Fanclub, who I would say are the only
band I actually love more than The Wedding Present, were making their debut in
town. Truthfully, I can’t say I regretted missing that concert, as TFC were
simply sublime. One gig I desperately wish I’d seen was the tour supporting Seamonsters, which visited Newcastle
Mayfair on 29th May 1991. Instead, I opted to watch the European Cup
Final between Red Star Belgrade and Olympique Marseilles. Rather than Dalliance, Octopussy and Heather in all their freshly-minted
glory, I endured 120 scoreless minutes before Red Star triumphed on penalties,
long after inertia had set in. Forty five years of watching Newcastle United
should have told me that football always lets you down, while music never does.
I learned
from my mistakes though; 25th February 1992 and I was up at the
front in Newcastle Riverside as the band tore through the first, full-length,
headlining set I’d seen from them. If the London gig for Peel’s 50th
was an epiphany, this one was confirmation that I’d wasted a lot of time not
watching The Wedding Present. I was even inspired enough to travel down to
Sheffield Leadmill on 5th April 1993 to see them headline the Radio
1 Sound City; tremendous night, tremendous gig, tremendous venue. Nothing was
going to stop me seeing The Wedding Present from now on; well, that’s not
strictly true, as 27th November 1993 saw them playing Newcastle
Poly, while at the same time Teenage Fanclub played Newcastle Uni. I took the
Scotch option. Again.
Next to Seamonsters, I would opt for Watusi as my next favourite first period
TWP album, even if Mr Gedge found my revelation at the 2014 celebration of that
release, that I had purchased the cassette version somewhat baffling. In terms
of first period live experiences, the performance at Newcastle University on 4th
October 1994 was probably my favourite. On fire from start to finish, engaging,
electric and a supportive crowd. It was a very memorable night, as was their
final appearance at the original, late-lamented Newcastle Riverside on 6th
October 1996. I wasn’t there; I was watching The Fall disintegrate at South
Shields Custom House. A visibly paralytic Mark E Smith wouldn’t take the stage
when asked to and the plugs were pulled. It was an utter fiasco. Mates who’d
done The Wedding Present instead praised their performance from the very
heavens. Typical.
That final
Riverside gig marked the end of The Wedding Present’s first phase visits to
Newcastle. Around then I had become a dad and, while I’m now happy to say I go
to gigs with my son (he’s at Leeds studying History and living round the corner
from Brudenell Social Club), his initial existence meant the responsibilities
parenthood involved resulted in me almost becoming detached from live music for
a number of years. Consequently, the three visits to my region by Cinerama on
14th October 2001, 6th October 2003 and 13th
April 2004 simply passed under my radar completely. I still bought the Cinerama
releases, listened intently and developed an affection for them, but it didn’t
occur to me to see them live.
News of the
return of The Wedding Present and the release of Take Fountain did make me sit up and take notice, though
infuriatingly, I missed out on tickets for a sold out return to live
performances at Newcastle University on 2nd March 2005 as I realised
it was happening just too late. At that point I had seen The Wedding Present
live on 4 occasions and missed them (and Cinerama) 13 times; I just wasn’t
prepared to let that damning statistic get even worse. Since then, 13th
November 2005 (Northumbria Uni), 15th December 2008, 4th
December 2010 (both Newcastle Academy), 13th August 2011
(Middlesbrough Town Hall), 30th December 2011 (Leeds Academy), 10th
November 2012 (Newcastle Academy), 28th
October 2013 (Newcastle Think Tank), 10th November 2014 (Newcastle
Cluny) and 7th November 2015 (Newcastle new Riverside) have all been
experienced, enjoyed and appreciated. Looking ahead, I’ve got tickets for The
Wonderstuff tour (though I intend to be in the pub 2 minutes after The Wedding
Present’s set) and the Sage (seats A1 and A2 in the stalls) for the Going, Going premiere and I’ll be at
Brudenell Social Club for Saturnalia if
the bairn has finished his exams by then.
In many
ways, I am a Johnny Come Lately TWP fan, but after almost 27 years I think I
can be forgiven for my lack of engagement in the early years and the daft choices
I made, missing gigs I ought to have attended. To this day choosing Red Star
Belgrade v Olympique Marseilles ahead of Seamonsters
still keeps me awake at night. Whatever you say about me is far milder than the
things I’ve said about myself.